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05 February
Maria Sequeira Mendes, Marisa Falcón e Marta Cordeiro

Práticas de Leitura: O Desensino da Arte

Free Entry
Discourse
Reading Practices

05 February

saturday 4pm

Discourse
Reading Practices
Price Free Entry (limited to the capacity) upon prior survey of a ticket (maximum 2 per person) at the ticket office on the same day from 3 pm
Sala Manuela Porto
Length 2h

Alert! Due to the current Covid-19 safety measures, to attend events at TBA you must present one of the following proofs:

  • EU Covid Digital Certificate in one of these forms: Complete Vaccination, Negative test result (antigen in the last 48 hours or PCR in the last 72 hours), or Recovery (more than 11 days and less than 180 days).
  • Proof of Complete Vaccination (Janssen, AstraZeneca, Moderna or Pfizer) or of Recovery issued by countries outside the EU zone.
  • Laboratory evidence of negative SARS-CoV-2 testing (antigen in the last 48 hours or PCR in the last 72 hours).

Self-tests are not allowed. Children up to 12 years old are not required to present a certificate. Children from 12 years old are subject to the same rules as adults.

Access conditions

  • There will be temperature measurement without registration when entering the space. It is mandatory to wear a face mask inside the building before, during and after the sessions
  • Disinfect hands and adopt proper respiratory hygiene
  • Keep a safe distance and avoid crowding people
  • Bring your ticket from home or, if you really need to buy the ticket at TBA, choose contactless payment by debit card or MBway.
  • Place disposable face masks and gloves in the indicated waste bins
  • At entrances and exits, follow the recommendations of the TBA team
  • It is not possible to change place after its indication by the Front of House staff

In the next session of Reading Practices, Maria Sequeira Mendes, Marisa Falcón and Marta Cordeiro talk to us about O Desensino das Artes (The Unteaching of the Arts), a book in which they propose a different teaching model for the arts. “We know that an art school that does not rethink itself, does not improvise, does not invite different people to talk to its students, that maintains a structure directed towards the past without seeking to imagine the present, will always be a school that is lacking. Our hope is that this book, which proposes a teaching model, helps to vindicate the possibility of an “Ideal School.”

 

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