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24 - 26 February
Rimini Protokoll

Conferência de Ausentes

Performing Arts

24 - 26 February

Thrusday to Saturday 7:30pm

The performance is in Portuguese

Performing Arts
Price 12€
Under 25 years: 5€
Main Auditorium
Length 2h30

Age restriction:


Concpt, text, direction Helgard Haug, Stefan Kaegi, Daniel Wetzel
Video and light design Marc Jungreithmeier
Sound design Daniel Dorsch
Research, Dramaturgy Imanuel Schipper, Lüder Pit Wilcke
With the anchor voice of Maria Ana Freitas
With the in ear voices of Marco Paiva e Nádia Yracema
Political-cultural cooperation and education Dr. Werner Friedrichs
Production Direction Epona Hamdan
Production management touring Vera Nau 
Damaturgy Assistence Sebastian Klauke
Direction Assistence Lisa Homburger e Maximilian Pellert
Scene Assistence  Maksim Chernykh
Production Assistence Federico Schwindt
Production Rimini Apparat
Coproduction Staatsschauspiel Dresden, Ruhrfestspiele Recklinghausen, HAU Hebbel am Ufer e Goethe-Institut
The creation of the concept was financed by the Agência Federal para a Educação Cívica


Access conditions

  • There might be temperature measurement without registration when entering the space.
  • It is mandatory to wear a face mask inside the building before, during and after the sessions
  • Disinfect hands and adopt proper respiratory hygiene
  • Keep a safe distance and avoid crowding people
  • Bring your ticket from home or, if you really need to buy the ticket at TBA, choose contactless payment by debit card or MBway.
  • At entrances and exits, follow the recommendations of the TBA team
  • It is not possible to change place after its indication by the Front of House staff

There is a crisis! And in times of global crisis, it’s all about global cooperation. Nevertheless, this time the crisis is being dealt with locally – on behalf of the world: at a conference that no one needs to book a flight or mount a train for. A performance where the invited experts and speakers do not appear physically, but are represented by local people who only receive their script at the beginning of their presentation. Completely without CO2-emissions and bad Skype or Zoom connections, the contradicting theses on the consequences of globalization will be delivered into the theater space – and settled within it.

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